Frank Wilson (13)

US West Coast songwriter, performer. Grew up in South Central Los Angeles, CA. His father, Thomas, managed [a=The Velvetones (2)], and Frank's sister Ruth married one of the members. The younger Wilsons - Thomas, Frank, [a=Henry Wilson (4)], [a=Vance Wilson], and Virginia - formed [a=The Wil-Sones], a harmony group modeled after the Four Aces, the Ames Brothers, and the Ink Spots. They worked the clubs and waxed a single, thanks to a hookup with L.A.'s legendary record lady Madelon Baker, that never left the 'hood, entitled "Let Me Love You" b/w "Come on Mama," for Highland Records (1961). Frank found staff-writing gigs at companies like Del-Fi Records. The siblings regrouped in 1965 as [a=The Remarkables] on Baker's Audio Arts label, with smoothies like the Incredibles. The Remarkables were Frank, Vance, Henry, and non-relative David Cason. They cut three good but unremarkable singles (actually two, the second was re-released with an instrumental flip): "Is the Feeling Still There" b/w "Easily Mislead," and "I Can't Give Up" b/w "You Wouldn't Have Anything" -- Frank and Vance handled the leads. In the '60s, he wrote some songs for Motown artists, which cause many to confuse him with a more famous [a=Frank Wilson] who also wrote for Motown; in addition, both had a connection with Hal Davis. Adding to the perplexity, both Wilsons recorded, albeit briefly, for Motown. This Frank Wilson performs (unaccredited) on "Oh How I Miss You" (written by Hal Davis, Frank, and Vance) with Tammi Terrell, on Marvin Gaye and Tammi Terrell's United album. With Vance, he recorded for Revue Records as Frankie Vance, pumping out two singles in 1969: "Can't Break the Habit of Love" and "Somewhere in Your Life." After recording with the [a1042382], Frank went on to work with [a18978], a lifelong friend, in the '70s.

Born 1942 - Died in 2020

Do NOT confuse with [a3468]